Emulate the Virgin Mary (still)
Digital video installation with live (audio) performance
Film duration: 4 minutes; Degree Show performance duration: approx 10 minutes; Performed Monday, 30 May, 2022 at 20:00 as part of the GSA Degree Show 2022 Private View Opening; Original performance: Friday, 6 August, 2021 as part of 'And We Walk: Of Inconsolable Memories and Crucified Pleasure'
2021/2022 (ongoing, evolves with each installation)

Join me?
Performance including handmade wearable works
Duration: all day-ish; Performed Saturday, 4 June, 2022 as part of the GSA Degree Show 2022
2022

How to Divorce Your Family: A Lecture
Performance
Duration: approx 1 hour; Performed Sunday, 5 June, 2022 at 14:00 and 15:30, and Saturday, 11 June, 2022 at 14:00 and 15:30 as part of the GSA Degree Show 2022
2022

Orange
Performance featuring handmade wearable works
Duration: all day-ish; Performed Sunday, 12 June, 2022 as part of the GSA Degree Show 2022
2022

Of Paper Souls and ~~Making Love~~ Getting Fucked: The Score
Part of the larger 'Of Paper Souls and ~~Making Love~~ Getting Fucked' photographic series, including the sub series 'The ImMaculate', 'The Half-formed', and 'The Score'
Digital pinhole photography
80 x 119 cm
2021

Of Paper Souls and ~~Making Love~~ Getting Fucked: The ImMaculate 30/45
Part of the larger 'Of Paper Souls and ~~Making Love~~ Getting Fucked' photographic series, including the sub series 'The ImMaculate', 'The Half-formed', and 'The Score'
Black & white film photography
15 x 21 cm
2021

Megan Lucille Boettcher

Originally from the States, Megan Lucille (b. 1991) has spent her adult life quite literally around the world, journeying toward continuously better becoming while shedding her conservative upbringing and deep-rooted indoctrination through personal experiences and creative practice. Working in multifaceted creation amidst a variety of media, Megan Lucille’s explorations revolve around her desire to best communicate and discuss the difficult subject matters at the centre of her practice. Her body the nucleus of her work, she draws from a reservoir of personal experiences as her catalyst, challenging her own vulnerability as she confronts dynamics of power by exposing traumatic histories and experiences and the intimate places their residues reside. Transmuting the ‘ugly’ into something ‘beautiful’ is her continuous task, forever evolving and finding new ways to make her work accessible to those who wish to experience it. Through her work, Megan Lucille seeks to enable a process of healing and encourage discussion of shared experience, fostering broader conversations around personal, communal, and societal transgressions while desiring action, from which healing and change may emerge as potential outcomes.

Megan Lucille has performed and exhibited internationally, including Berlin (Germany), Tokyo (Japan), Glasgow (Scotland), Hsinchu (Taiwan), Joutsa (Finland), and her hometown in Minnesota (USA). She also continues to explore exhibition and performance through various digital platforms.